Every week, there are thousands of new songs hitting the airwaves — and it’s just too much for your two ears to handle. With all those options, you may’t be wasting your time on tracks that deserve a thumbs-down click.

But don’t worry, we’re going to save you the hassle. We listen to some of the most-hyped and interesting songs each week, and tell you which are worthy of your precious listening time.

Cloud Nothings —Enter Entirely

Cloud Nothings shared the latest slice of their upcoming albumLife Without Soundthis week, a heavy but tastefully recorded rocker calledEnter Entirely. The single features distorted guitar solos and heavy-handed drumming in between well-placed choruses, swaggering you happily through its almost five-minute run time. It’s the kind of thing you put on when you need a pick-me-up, or stack up back to back to see how fast you can run a mile.

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Dirty Projectors —Up In Hudson

Those lamenting the fact that Bon Iver will not be releasing another record in 2017 can take solace in the fact that Dirty Projectors, the beloved band from Brooklyn, will be — in just over a month. The layered vocals, horns, and various rhythmic elements on the band’s recently released singleUp In Hudsonoperate with a very similar musical palate, albeit with a bit clearer narrative, than the Kanye-beloved Wisconsin band Bon Iver. A song about love and loss,Up In Hudsonis an eight-minute miniature rock opera that commands your attention throughout, even going so far as to reference Kanye himself: “Now I’m listening to Kanye on the Taconic Parkway ridin’ fast,” sings vocalist David Longstreth about three-quarters of the way through, “And you’re out in Echo Park blasting Tupac, drinking a fifth for my ass.” Nowthat’sa breakup song.

Caitlyn Smith —Before You Called Me Baby

You may not have heard her voice, but you’ve probably heard her music. Songwriter Caitlyn Smith has written hits for the likes of Rascal Flatts, Lady Antebellum, Garth Brooks, and more over the course of her time in Nashville. Smith looks to breakout of the back room with her upcoming EPStarfire,and with ballads likeBefore You Called Me Baby, which employs a similar descending guitar line toWhile My Guitar Gently Weeps, she’s almost certain to do so. This is about as clean and tasteful as country music gets.

Sampha  —(No One Knows Me) Like the Piano

British songwriter Sampha has unleashed another in his long line of deeply personal tracks, a song called(No One Knows Me) Like the Pianoabout time he spent tickling the ivories in his mother’s house. Simple keyboard blends with subtle sub-bass kicks and a layered vocal chorus, in what evolves into an extremely elegant ballad from this rising star.

Ty Segall —Break A Guitar

Indie rock demigod Ty Segall returns to his roots onBreak A Guitar, a recently revealed cut off his upcoming self-titled album. Unplug the headphones, turn your speakers up all the way, and bathe in this ’70s-influenced hard-rock wonder while doing as many pushups as you can during its four-minute run time.

That’s it for now, but tune in next week for more tunes — and check out our playlist loaded with our recent selections below: